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1 hipódromo
m.racecourse, race track, racetrack, hippodrome.* * *1 racetrack, racecourse* * *SM [de caballos] racecourse, racetrack (EEUU); ( Hist) hippodrome* * *masculino (Equ, Ocio) racecourse, racetrack (AmE); (Hist) hippodrome* * *= horse racing track, horse racing grounds, racecourse, race track.Ex. At one time there were horse racing tracks on several of the islands but the sport died out in Hawaii by the 1950's.Ex. In recent years, there has been considerable investment at horse racing grounds around Scotland, transforming the sometimes run-down facilities into first class venues.Ex. About 38 per cent of these horses die on racecourses, while the others are destroyed as a result of training injuries, or are killed because they are no longer commercially viable.Ex. When people make bets at the race track, they sometimes mistakenly think they have lost and throw away their ticket.* * *masculino (Equ, Ocio) racecourse, racetrack (AmE); (Hist) hippodrome* * *= horse racing track, horse racing grounds, racecourse, race track.Ex: At one time there were horse racing tracks on several of the islands but the sport died out in Hawaii by the 1950's.
Ex: In recent years, there has been considerable investment at horse racing grounds around Scotland, transforming the sometimes run-down facilities into first class venues.Ex: About 38 per cent of these horses die on racecourses, while the others are destroyed as a result of training injuries, or are killed because they are no longer commercially viable.Ex: When people make bets at the race track, they sometimes mistakenly think they have lost and throw away their ticket.* * *2 ( Hist) hippodrome* * *
hipódromo sustantivo masculino (Equ, Ocio) racecourse, racetrack (AmE);
(Hist) hippodrome
hipódromo sustantivo masculino racetrack, racecourse
' hipódromo' also found in these entries:
Spanish:
pista
English:
course
- hippodrome
- race
- racecourse
- racetrack
* * *hipódromo nmracecourse, racetrack* * *m racetrack* * *hipódromo nm: racetrack* * *hipódromo n racecourse -
2 race
I
1. reis noun(a competition to find who or which is the fastest: a horse race.) carrera
2. verb1) (to (cause to) run in a race: I'm racing my horse on Saturday; The horse is racing against five others.) (hacer) correr, llevar a una carrera2) (to have a competition with (someone) to find out who is the fastest: I'll race you to that tree.) hacer una carrera (con)3) (to go etc quickly: He raced along the road on his bike.) correr•- racer- racecourse
- racehorse
- racetrack
- racing-car
- a race against time
- the races
II reis1) (any one section of mankind, having a particular set of characteristics which make it different from other sections: the Negro race; the white races; (also adjective) race relations.) raza2) (the fact of belonging to any of these various sections: the problem of race.) raza3) (a group of people who share the same culture, language etc; the Anglo-Saxon race.) raza•- racial- racialism
- racialist
- the human race
- of mixed race
race1 n1. carrera2. razarace2 vb competir / corrertr[reɪs]1 SMALLSPORT/SMALL carrera1 (compete) competir, correr2 (go fast) correr, ir deprisa3 (heart) latir deprisa4 (engine) acelerarse1 (person) competir con, echar una carrera a2 (engine) acelerar\SMALLIDIOMATIC EXPRESSION/SMALLto run a race participar en una carrerarace against time carrera contra relojrace meeting las carreras nombre femenino pluralthe races las carreras nombre femenino plural————————tr[reɪs]1 (people) raza\SMALLIDIOMATIC EXPRESSION/SMALLrace relations relaciones nombre femenino plural racialesrace riot disturbio racial1) : correr, competir (en una carrera)2) rush: ir a toda prisa, ir corriendorace n1) current: corriente f (de agua)2) : carrera fdog race: carrera de perrosthe presidential race: la carrera presidential3) : raza fthe black race: la raza negrathe human race: el género humanon.• cancha s.f.• carrera s.f.• casta s.f.• corrida s.f.• corriente fuerte s.m.• estirpe s.f.• generación s.f.• gente s.f.• movimiento progresivo s.m.• raza s.f.• sangre s.m.v.• correr v.• regatear v.reɪs
I
1)a) c ( contest) carrera fthe race is on for the Republican nomination — ha empezado la contienda para la nominación republicana
2) c u ( Anthrop) raza fthe human race — el género humano; (before n)
II
1.
a) ( rush) (+ adv compl)b) ( in competition) correr, competir*c) \<\<pulse/heart\>\> latir aceleradamente; \<\<engine\>\> acelerarse
2.
vta) ( compete against) echarle or (RPl) jugarle* una carrera acome on, I'll race you (to that tree)! — vamos, te echo or (RPl) juego una carrera (hasta aquel árbol)!
b) ( make go too fast) \<\<engine\>\> acelerar
I [reɪs]1. N1) (=contest) (lit, fig) carrera f•
a race against time/the clock — (fig) una carrera contra el tiempo/contra reloj•
the arms race — la carrera armamentista•
the race is on to find a donor — ha comenzado la carrera en busca de un donante•
to run (in) a race — tomar parte en una carrera, participar en una carrera2) (=swift current) corriente f fuerte2. VT1) (=enter in race) [+ horse] presentar; [+ car] correr con2) (=run against) echarle una carrera a(I'll) race you home! — ¡te echo una carrera hasta casa!
3)• to race an engine — acelerar un motor al máximo
3. VI1) (=compete) [driver, athlete, horse] correr, competir•
to race against sb — competir con algn (en una carrera)2) (=go fast) correr, ir a toda velocidad•
to race against time/the clock (to do sth) — (fig) trabajar contra reloj (para hacer algo)•
he raced down the street — bajó la calle corriendo or a toda velocidad•
we raced for a taxi — corrimos a coger un taxi•
he raced past us — nos pasó a toda velocidad or a toda carrera•
he raced through the paperwork as quickly as he could — hizo el papeleo todo lo rápido que pudo3) [pulse, heart] acelerarse; [engine] embalarseher heart raced uncontrollably — el corazón se le aceleró descontrolado, el corazón le latía a un ritmo descontrolado
4.CPDrace car N — (US) coche m de carreras
race (car) driver N — (US) piloto mf de carreras, corredor(a) m / f de coches
race meeting N — (Brit) carreras fpl (de caballos)
- race in- race off- race out
II [reɪs]1.N (=racial origin) raza fdiscrimination on the grounds of race — discriminación f por la raza or por motivos raciales
people of mixed race — (esp of Indian and white descent) gente f mestiza; (of black and white descent) gente f mulata
the human race — la raza humana, el género humano
2.CPD•
to play the race card — jugar la baza racialrace hatred, race hate N — odio m racial, racismo m
race issue N — asunto m racial
a committee was set up to tackle race issues — se formó un comité para hacer frente a los asuntos or los problemas raciales
race relations NPL — relaciones fpl interraciales
* * *[reɪs]
I
1)a) c ( contest) carrera fthe race is on for the Republican nomination — ha empezado la contienda para la nominación republicana
2) c u ( Anthrop) raza fthe human race — el género humano; (before n)
II
1.
a) ( rush) (+ adv compl)b) ( in competition) correr, competir*c) \<\<pulse/heart\>\> latir aceleradamente; \<\<engine\>\> acelerarse
2.
vta) ( compete against) echarle or (RPl) jugarle* una carrera acome on, I'll race you (to that tree)! — vamos, te echo or (RPl) juego una carrera (hasta aquel árbol)!
b) ( make go too fast) \<\<engine\>\> acelerar -
3 Muybridge, Eadweard
SUBJECT AREA: Photography, film and optics[br]b. 9 April 1830 Kingston upon Thames, Englandd. 8 May 1904 Kingston upon Thames, England[br]English photographer and pioneer of sequence photography of movement.[br]He was born Edward Muggeridge, but later changed his name, taking the Saxon spelling of his first name and altering his surname, first to Muygridge and then to Muybridge. He emigrated to America in 1851, working in New York in bookbinding and selling as a commission agent for the London Printing and Publishing Company. Through contact with a New York daguerreotypist, Silas T.Selleck, he acquired an interest in photography that developed after his move to California in 1855. On a visit to England in 1860 he learned the wet-collodion process from a friend, Arthur Brown, and acquired the best photographic equipment available in London before returning to America. In 1867, under his trade pseudonym "Helios", he set out to record the scenery of the Far West with his mobile dark-room, christened "The Flying Studio".His reputation as a photographer of the first rank spread, and he was commissioned to record the survey visit of Major-General Henry W.Halleck to Alaska and also to record the territory through which the Central Pacific Railroad was being constructed. Perhaps because of this latter project, he was approached by the President of the Central Pacific, Leland Stanford, to attempt to photograph a horse trotting at speed. There was a long-standing controversy among racing men as to whether a trotting horse had all four hooves off the ground at any point; Stanford felt that it did, and hoped than an "instantaneous" photograph would settle the matter once and for all. In May 1872 Muybridge photographed the horse "Occident", but without any great success because the current wet-collodion process normally required many seconds, even in a good light, for a good result. In April 1873 he managed to produce some better negatives, in which a recognizable silhouette of the horse showed all four feet above the ground at the same time.Soon after, Muybridge left his young wife, Flora, in San Francisco to go with the army sent to put down the revolt of the Modoc Indians. While he was busy photographing the scenery and the combatants, his wife had an affair with a Major Harry Larkyns. On his return, finding his wife pregnant, he had several confrontations with Larkyns, which culminated in his shooting him dead. At his trial for murder, in February 1875, Muybridge was acquitted by the jury on the grounds of justifiable homicide; he left soon after on a long trip to South America.He again took up his photographic work when he returned to North America and Stanford asked him to take up the action-photography project once more. Using a new shutter design he had developed while on his trip south, and which would operate in as little as 1/1,000 of a second, he obtained more detailed pictures of "Occident" in July 1877. He then devised a new scheme, which Stanford sponsored at his farm at Palo Alto. A 50 ft (15 m) long shed was constructed, containing twelve cameras side by side, and a white background marked off with vertical, numbered lines was set up. Each camera was fitted with Muybridge's highspeed shutter, which was released by an electromagnetic catch. Thin threads stretched across the track were broken by the horse as it moved along, closing spring electrical contacts which released each shutter in turn. Thus, in about half a second, twelve photographs were obtained that showed all the phases of the movement.Although the pictures were still little more than silhouettes, they were very sharp, and sequences published in scientific and photographic journals throughout the world excited considerable attention. By replacing the threads with an electrical commutator device, which allowed the release of the shutters at precise intervals, Muybridge was able to take series of actions by other animals and humans. From 1880 he lectured in America and Europe, projecting his results in motion on the screen with his Zoopraxiscope projector. In August 1883 he received a grant of $40,000 from the University of Pennsylvania to carry on his work there. Using the vastly improved gelatine dry-plate process and new, improved multiple-camera apparatus, during 1884 and 1885 he produced over 100,000 photographs, of which 20,000 were reproduced in Animal Locomotion in 1887. The subjects were animals of all kinds, and human figures, mostly nude, in a wide range of activities. The quality of the photographs was extremely good, and the publication attracted considerable attention and praise.Muybridge returned to England in 1894; his last publications were Animals in Motion (1899) and The Human Figure in Motion (1901). His influence on the world of art was enormous, over-turning the conventional representations of action hitherto used by artists. His work in pioneering the use of sequence photography led to the science of chronophotography developed by Marey and others, and stimulated many inventors, notably Thomas Edison to work which led to the introduction of cinematography in the 1890s.[br]Bibliography1887, Animal Locomotion, Philadelphia.1893, Descriptive Zoopraxography, Pennsylvania. 1899, Animals in Motion, London.1901, The Human Figure in Motion, London.Further Reading1973, Eadweard Muybridge: The Stanford Years, Stanford.G.Hendricks, 1975, Muybridge: The Father of the Motion Picture, New York. R.Haas, 1976, Muybridge: Man in Motion, California.B.Coe, 1992, Muybridge and the Chromophoto-graphers, London.BC
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